I nearly walked past a set of steel grey doors until I saw ‘Modern Art’ written in tiny letters on them. Inside the exhibition wasn’t quite what I expected. No sign of the reported coffin lid. It looked like someone had taken a trip to the states with a sketch pad along for the ride. A load of water colour sketches, many of them of a dark haired girl posing sexily and various western icons. Images of cowboys and Indians and modern commercialism. I noticed a rifle propped in a corner. Now I’d heard the gun was a Kalashnikov, which I didn’t expect to look like a rifle, but I’d also heard that had been seized by the police and replaced… still didn’t seem to fit. Sure enough, in spite of there being a gun, when I asked at the desk it turned out I was in the wrong gallery.
So I headed up the road and found the right gallery this time. The door had blue and white tape on it like police crime scene tape, and for a moment I thought maybe it had been closed. Then I realised it actually said ‘polite line’ instead of ‘police line’, and there was a receptionist beckoning me in. From there I went through a curtain into a very small room. There were roses scattered around, and in the centre an American flag laid out (surprised the American’s haven’t got in on the controversy, I hear they have a tradition that they burn any flag that’s been ‘despoiled’ by being allowed to touch the ground) covered with Perspex with a small coffin lid (no coffin) on top of that. Then the gun standing on top of that. Actually it didn’t look all that different to the rifle in the other exhibit to me. A bit bigger, some extra bit down underneath and a stand thing attached to the front. There was also a ‘Do not touch’ notice which on closer inspection actually said ‘please do touch’.
So I did the expected thing and tried picking it up (it was chained to the floor by the way!). And yes, it was very heavy, as I’d heard in the newspaper reports. It was also unbalanced: with that stand at the front it seemed to be meant to be propped on something, but there was nothing you could prop it on while looking in the mirror you were supposed to pose in… Holding it against my shoulder I could feel the stand dragging it down and wondered if it was actually ever meant to be used like that. It also smelt of oil and metal, and since I’m allergic to both I had to wonder if I’d be rewarded with a nice rash of blistering. Glad to say that was avoided! With all that going through my head I didn’t exactly feel I’d got the ‘posing with a gun’ experience.
That over with I stood and watched the film showing on the TV screen to one side. There was a notice onscreen constantly, calling for an end to the use of child soldiers (which fitted with the small coffin lid). Very worthy, but the films, showing in a small screen within the screen, had nothing to do with that. In stead they seemed to have a lot to do with Banksy, and what a sell out he apparently is. One section had a lot of written quotes and no commentary, with the display too small and fast to read. From the few words I made out I think it was something about how much art sells for. Then there was endless stuff on AK47’s theft/kidnap/acquirement of The Drinker. Some bits with ‘Art Kieda’ dressed up like terrorists seemed to be going for wit.
Overall, though there might have been a few good points in there, I found the show scattered and unfocused. All the competitive anti-Banksy stuff didn’t fit with worthy anti-violence stuff. I think the artist needs to forget Banksy and let his stuff sink or swim on its own merits.
For those that would like to check them out, ‘Rapid City’ by Brad Kahlamer is on at Modern Art, 10 Vyner street until 17 February. ‘Interaction’ by AK47 is also on until 17 February, though according to the Gazette it’s on Thursdays, Fridays and Saturdays only. I think there was at least one other gallery down there but I had to get on with my run!
So, after that I started running… and feeling like I had concrete shoes on. Maybe it was partly I was getting distracted taking photos as well, but I don’t think I can blame it all on that. It was just a bad day. Still I struggled through Victoria Park and along the canals, documenting a few pieces of graffiti art along the way. Then I headed North alongside the Olympic demolition site. I still find it uncomfortable going that way, but decided it was worth it with my camera to take my own view of what’s going on. To recap, though some 160 feral and stray cats and kittens have been rescued from parts of the site, the authorities have not allowed rescue work to continue, or to reach large parts of the site. It’s been going on for months, and it’s likely that many kitties have starved or been crushed. The rescue organisation have been able to set up traps recently at some points and are finding some cats are arriving there, so there are obviously still cats around. Things will soon get even worse, as kitten season is coming, and any un-neutered females still on site will be having kittens, and therefore unable to move away and likely to die there with them if they have them in the wrong place. If you’d like to find out more go here for information, and click here to sign a petition.
As to what I could see… The site is surrounded by a high, smooth wall of hoardings, which most cats are unlikely to jump over. Even if they do, if they’ve come this way, they’ll find themselves on the canal bank with a very long walk to safety and cover.

At some places the authorities have kindly put windows (covered in plastic sheeting so no way out for the cats) in the fencing. As you can see this section is pretty much demolished, though there’s still a few places surviving cats could be lurking.





One place I did find a hole where the wall had been cut roughly around a tree. Though it would allow access to the canal bank, here’s what I could see through it on the other side.

It looks desolate, and it’s easy to understand why people would think the cats must all have gone. But you can see there’s still a few hiding places. And the trust have sightings, and are still picking up cats moving to where they have got rescue points. It’s horrible to think there must still be cats lost and starving in that mess, and so unnecessary when rescue workers are available.
And people go on about a few chunks of metal…
Anyway, I headed on, up through Hackney Marshes, the Middlesex Filter Beds Nature Reserve, Walthamstow Marshes… by which time it was getting to dusk, and rather than going home the long way, I cut across and dropped in at Tescos. I think I covered 11 miles or so in all, though only about 8.5 included running. Not as good as I’d hoped, but not too bad with lead legs.